New York City Ballet pulls a rabbit out of its hat for jam-packed shortened season at SPAC
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Highlights of its engagement include Balanchine masterpieces “Serenade” and “Theme and Variations,” a special gala program featuring the Saratoga premieres of Peter Martins’ “Bal de Couture” and Christopher Wheeldon’s pas de deux “This Bitter Earth,” and three performances of Justin Peck’s “Year of the Rabbit,” which also makes its Saratoga debut.
“New York City Ballet brings to its summer stage at SPAC, a world-class program of astonishing breadth and brilliance. From iconic Balanchine gems like “Serenade” and “Stravinsky Violin Concerto,” to favorite works by Jerome Robbins including “West Side Story Suite” and “Dances at a Gathering” to exciting new ballets by Peter Martins, Christopher Wheeldon and Justin Peck, the interplay of tradition and innovation in this season is exceptional,” said Marcia J. White, president and executive director of Saratoga Performing Arts Center. “Each and every program is a standout and guaranteed to offer an unforgettable experience for our guests.”
Tschaikovsky Celebration
Major features of the summer program include highlights of NYCB’s “Tschaikovsky Celebration,” a centerpiece of its winter season at Lincoln Center. Five of the season’s 15 ballets feature the music of the great Russian composer Peter Ilyitch Tschaikovsky. Legendary choreographer George Balanchine had a special affinity for Tschaikovsky. He once told an interviewer, “In everything that I did to Tschaikovsky’s music, I sensed his help. It wasn’t real conversation. But when I was working and saw that something was coming of it, I felt that it was Tschaikovsky who had helped me.”
The Opening Night program will feature three Balanchine ballets set to Tschaikovsky’s music including the virtuosic Tschaikovsky Pas de Deux; the classical tour de force “Theme and Variations”; and the “Garland Dance,” Balanchine’s 1981 interpretation of the famous dance from “The Sleeping Beauty,” the first ballet the legendary choreographer danced in as a child in Russia. The “Garland Dance,” which features a large cast, including 16 children, has never been seen at SPAC as an excerpted work.
Also presented will be the iconic, four-movement “Serenade,” one of Balanchine’s most widely danced and beloved works. The first ballet Balanchine choreographed in America, it originated as a lesson in stage technique; Balanchine worked unexpected rehearsal events into the choreography such as a student’s fall or late arrival to rehearsal. The ballet, set to Tschaikovsky’s “Serenade for Strings,” features 26 dancers in blue costumes before a blue background.
The Ruby Ball: |Ballet Gala
The music of Tschaikovsky’s “Eugene Onegin” is the score for Peter Martins’ newest ballet, “Bal de Couture,” which will have its Saratoga Premiere and one-time-only performance at the July 13 Ballet Gala, one of two premieres that highlight the special evening. The ballet features striking costumes created by legendary fashion designer and master couturier, Valentino Garavani, often known simply as Valentino.
Also featuring an original Valentino costume design is Christopher Wheeldon’s pas de deux “This Bitter Earth” which will have its Saratoga premiere at the Gala. Set to Max Richter’s remake of Dinah Washington’s 1960 rhythm & blues song of the same name, the work is excerpted from Wheeldon’s “Five Movements, Three Repeats.” Continued...
Complementing Bal de Couture’s “Valentino Red” costumes and inspiring the evening’s theme, the gala program also features Balanchine’s brilliant “Rubies,” the second section of the full-length “Jewels.” Set to Stravinsky’s “Capriccio for Piano and Orchestra,” the work features Karinska’s famous, red jeweled costumes.
The evening culminates with “West Side Story Suite,” Jerome Robbins’ suite of dances taken from the award winning musical he created with Leonard Bernstein and Stephen Sondheim. One of the few ballets that requires dancers to sing as well as dance, the work features several song and dance sequences including “Something’s Coming,” “Dance at the Gym,” “Cool,” “America” “and “Somewhere.”
Repertory Highlights The season will feature the Saratoga Premiere of Justin Peck’s recent work for New York City Ballet, “Year of The Rabbit.” The work is featured on the July 9 opening night, July 10 and the July 13
matinee program. Peck’s first work for NYCB, “In Creases,” had its world premiere at SPAC’s ballet gala last season.
Set to indie-folk composer Sufjan Stevens’ “Enjoy Your Rabbit,” an electronica album and song cycle based on the Chinese zodiac, the work for 18 dancers is an elaboration of Peck’s 2010 work, “Tales of a Chinese Zodiac.”
For the new ballet, Stevens and Peck collaborated on all aspects of the production, including a new orchestration of “Enjoy Your Rabbit,” created specifically for the ballet.
The work debuted on Oct. 5, 2012 in New York to wide critical acclaim.
Peck, a member of NYCB’s corps de ballet since 2007, has been recognized for his choreographic promise since his debut as a choreographer in 2009, earning favorable notices from the New York Times, Dance Magazine and Vanity Fair among others. He earned a Bessie Award nomination in 2011 in the “Outstanding Emerging Choreographer,” category.
Other repertory highlights of the season include a July 11 evening of “20th Century Violin Concertos” featuring Peter Martins’ “Barber Violin Concerto,” which explores the contrast between classical and modern dance; Robbins’ ethereal, introspective “Opus 19 /The Dreamer” and Balanchine’s “Stravinsky Violin Concerto,” a signature “black and white” ballet and a work widely considered one of the choreographer’s greatest.
Neoclassical simplicity and symmetry also narrate a July 12 program of chamber works that includes Peter Martins’ spare and elegant “Hallelujah Junction,” set to a pulsing John Adams score and featuring two onstage pianists; Christopher Wheeldon’s poignant “After The Rain” pas de deux, created in 2005 for retiring NYCB principal Jock Soto, and set to a score by Arvo Part; and Jerome Robbins’ uplifting “Dances At A Gathering,” a work for 10 dancers set to 18 piano pieces by Chopin. Continued...
The evening culminates with “West Side Story Suite,” Jerome Robbins’ suite of dances taken from the award winning musical he created with Leonard Bernstein and Stephen Sondheim. One of the few ballets that requires dancers to sing as well as dance, the work features several song and dance sequences including “Something’s Coming,” “Dance at the Gym,” “Cool,” “America” “and “Somewhere.”
Repertory Highlights The season will feature the Saratoga Premiere of Justin Peck’s recent work for New York City Ballet, “Year of The Rabbit.” The work is featured on the July 9 opening night, July 10 and the July 13
matinee program. Peck’s first work for NYCB, “In Creases,” had its world premiere at SPAC’s ballet gala last season.
Set to indie-folk composer Sufjan Stevens’ “Enjoy Your Rabbit,” an electronica album and song cycle based on the Chinese zodiac, the work for 18 dancers is an elaboration of Peck’s 2010 work, “Tales of a Chinese Zodiac.”
For the new ballet, Stevens and Peck collaborated on all aspects of the production, including a new orchestration of “Enjoy Your Rabbit,” created specifically for the ballet.
The work debuted on Oct. 5, 2012 in New York to wide critical acclaim.
Peck, a member of NYCB’s corps de ballet since 2007, has been recognized for his choreographic promise since his debut as a choreographer in 2009, earning favorable notices from the New York Times, Dance Magazine and Vanity Fair among others. He earned a Bessie Award nomination in 2011 in the “Outstanding Emerging Choreographer,” category.
Other repertory highlights of the season include a July 11 evening of “20th Century Violin Concertos” featuring Peter Martins’ “Barber Violin Concerto,” which explores the contrast between classical and modern dance; Robbins’ ethereal, introspective “Opus 19 /The Dreamer” and Balanchine’s “Stravinsky Violin Concerto,” a signature “black and white” ballet and a work widely considered one of the choreographer’s greatest.
Neoclassical simplicity and symmetry also narrate a July 12 program of chamber works that includes Peter Martins’ spare and elegant “Hallelujah Junction,” set to a pulsing John Adams score and featuring two onstage pianists; Christopher Wheeldon’s poignant “After The Rain” pas de deux, created in 2005 for retiring NYCB principal Jock Soto, and set to a score by Arvo Part; and Jerome Robbins’ uplifting “Dances At A Gathering,” a work for 10 dancers set to 18 piano pieces by Chopin. Continued...
“In conjunction with this spectacular program, audiences can look forward to the return of our popular series of pre-shows, including American Girl Night, Family Night, Date Night and Girls Night Out, as well as engaging educational programs such as New York City Ballet’s ‘See the Music’ and children’s workshops led by NYCB dancers,” White said. “An evening at SPAC offers limitless opportunities to learn, interact and enjoy; it’s a live arts experience at its best.”
Online ticket sales for New York City Ballet’s Saratoga season begin March 18 at spac.org.
Ticket prices for inside seating range from $30 to $80; lawn seating is $24.
Located in the Spa State Park in Saratoga Springs, NY, SPAC has been the summer home of New York City Ballet since 1966.
Just three hours from Boston and New York, SPAC’s 2013 programming also includes the Freihofer’s Saratoga Jazz Festival, the National Ballet of Canada, Aspen Santa Fe Ballet, MOMIX, The Philadelphia Orchestra, Saratoga Chamber Music Festival, Cabaret Series, Opera Saratoga, Live Nation concerts and the Saratoga Wine & Food and Fall Ferrari Festival.
Pre-performance talks
Presented in conjunction with its classical season, SPAC’s Pre-Performance Talks series features world-class musicians, dancers, conductors, composers and scholars sharing insights and perspectives with small groups prior to classical performances. Created to enhance SPAC’s educational mission, the talks, unless otherwise noted, will be at 7 p.m. before the performances in the intimate setting of the Hall of Springs Gold Room. Admission to the talks is $5 and open only to people who have a ticket to the evening’s performance. Tickets are available at spac.org or at the box office.
The schedule is:
Tuesday, July 9, 7 p.m., Opening Night, TBA Continued...
Online ticket sales for New York City Ballet’s Saratoga season begin March 18 at spac.org.
Ticket prices for inside seating range from $30 to $80; lawn seating is $24.
Located in the Spa State Park in Saratoga Springs, NY, SPAC has been the summer home of New York City Ballet since 1966.
Just three hours from Boston and New York, SPAC’s 2013 programming also includes the Freihofer’s Saratoga Jazz Festival, the National Ballet of Canada, Aspen Santa Fe Ballet, MOMIX, The Philadelphia Orchestra, Saratoga Chamber Music Festival, Cabaret Series, Opera Saratoga, Live Nation concerts and the Saratoga Wine & Food and Fall Ferrari Festival.
Pre-performance talks
Presented in conjunction with its classical season, SPAC’s Pre-Performance Talks series features world-class musicians, dancers, conductors, composers and scholars sharing insights and perspectives with small groups prior to classical performances. Created to enhance SPAC’s educational mission, the talks, unless otherwise noted, will be at 7 p.m. before the performances in the intimate setting of the Hall of Springs Gold Room. Admission to the talks is $5 and open only to people who have a ticket to the evening’s performance. Tickets are available at spac.org or at the box office.
The schedule is:
Tuesday, July 9, 7 p.m., Opening Night, TBA Continued...
Wednesday, July 10, 7 p.m., Justin Peck, choreographer and dancer, New York City Ballet
Thursday, July 11, 1 p.m. Deborah Jowitt, dance critic, scholar and author of “Jerome Robbins, His Life, His Theater, His Dance” (2004)
Thursday, July 11, 7 p.m., Deborah Jowitt
Friday, July 12, 7 p.m., conversation with a New York City Ballet dancer
Saturday, July 13, 1 p.m., Mindy Aloff, professor of dance, Barnard College; author, “Hippo in a Tutu” (2009), “Dance Anecdotes” (2006); consultant, The George Balanchine Foundation.
Saturday, July 13, gala, no pre-performance talk
Thursday, July 11, 1 p.m. Deborah Jowitt, dance critic, scholar and author of “Jerome Robbins, His Life, His Theater, His Dance” (2004)
Thursday, July 11, 7 p.m., Deborah Jowitt
Friday, July 12, 7 p.m., conversation with a New York City Ballet dancer
Saturday, July 13, 1 p.m., Mindy Aloff, professor of dance, Barnard College; author, “Hippo in a Tutu” (2009), “Dance Anecdotes” (2006); consultant, The George Balanchine Foundation.
Saturday, July 13, gala, no pre-performance talk
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