Food for thought from the Post Star Editorial when getting water at the Joe Bruno Spring at Saratoga Spa State Park

Editorial: Time to end ‘monuments to me’
StoryDiscussionEditorial: Time to end ‘monuments to me’
Posted: Friday, May 6, 2011 7:52 pm | (1) Comments

Font Size:Default font sizeLarger font size.If the Charles R. Wood Foundation donates a million dollars to a hospital wing, they don't put the name of his bank on the building. They put Charles R. Wood's name on it.

So why is it when some politician directs taxpayer money to a building or an athletic field or an educational program, people feel it's appropriate to put the politician's name on it?

What's even worse is that when that politician is later disgraced through unethical or illegal actions, the name of the building in his honor remains.

Retired Sen. Joseph Bruno, a convicted felon who was forced out of office because of allegations he used his powerful Senate majority seat to direct state business to contractors in exchange for "consulting fees," has at least 16 buildings in Rensselear County named after him, one in each town and city in the county.

Among the many buildings bearing his name is Joseph L. Bruno Stadium, home of the Tri-City ValleyCats, a professional minor league baseball team. So did Mr. Bruno donate his personal fortune to help build the stadium, as the aforementioned Mr. Wood did in donating his own money to everything from hospital wings to theaters?

No, he didn't.

Was Mr. Bruno a famous baseball player or a beloved coach or Little League benefactor?

No he wasn't.

Mr. Bruno is so prominently honored because he used his job an elected official to guide $14 million of the taxpayers' money to the people who wanted to build the stadium. That $14 million works out to almost $1 for every man woman and child in the state. But are our names on the side of the building? No they aren't.

Mr. Bruno is the not the first, nor the last, politician to be honored with a facade. He's not the only unethical one. He's not even the most recent one.

Rep. Charles Rangel, a congressman from Harlem, last year was found guilty by a House ethics panel and censured by the full House of ethical violations for, among other things, soliciting millions of dollars in donations from companies doing business before Congress for an academic building at the City College of New York. That episode is just one in a long list of accusations made against Rangel for illegal or unethical conduct. By the way, the name of that academic building for which he was soliciting all that money: The Rangel Center for Public Service. Even after he was censured, the college said it had no plans to remove his name from the building. They're probably not giving the money back either.

There are numerous other examples of politicians being honored for helping direct our tax dollars to a project. In many cases, the politician isn't accused of being corrupt or doing anything wrong. But having a permanent campaign ad on a prominent building is a pretty strong incentive for an incumbent legislator to lobby for funds for a particular project.

In 2007, for example, state Sen. Michael Nozzolio directed $1.5 million of state taxpayer money to an athletic facility in Monroe County. He also secured a $25,000 state grant for a youth soccer program. Guess who the soccer complex is named after. You can't buy that kind of campaign advertising. Or maybe you can.

Not everyone is taking this practice lying down.

In several states, there are movements afoot to outlaw the practice of naming public buildings and other property after incumbent or retired politicians. In addition to buildings, highways and airports are popular places to attach a legislative benefactor's name. Joe Bruno once had a bronze bust prominently displayed in the Albany airport. It's since been relocated.

Ending so-called "monuments to me" has been an uphill battle for New Mexico state Sen. Mark Boitano, who objects on the basis that it's "free 24/7 advertising" for the incumbents. "It's not right," he said. He not only wants the naming practice stopped, he also wants the names of sitting politicians removed from existing buildings. But so far, he's not getting much enthusiastic support from his fellow lawmakers. His bill has been tabled in the New Mexico state Senate.

Congress has also toyed with the idea of banning "monuments to me." The late Sen. Richard Byrd of West Virginia had more than 30 public entities named after him during his tenure in Congress, according to the Wall Street Journal.

Our public officials must reject any practice that makes it appear as if they're trading their office for personal gain.

Rather than naming public buildings after the politicians who secure taxpayer funding, why not name the buildings after the people who actually provide the funding?

John Q. Taxpayer Stadium has a nice ring to it, doesn't it?

Local editorials represent the opinion of The Post-Star editorial board, which consists of Publisher Rick Emanuel, Editor Ken Tingley, Editorial Page Editor Mark Mahoney and citizen representative Tom Sullivan.



Copyright 2011 The Post-Star. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


.Posted in Editorial on Friday, May 6, 2011 7:52 pm

Library "brown bag" by Saratoga's City Historian on "ten Springs", th.,5/12/11@noon.

Welcome to the Valley of the Ten Springs



Saratoga Springs’ City Historian Mary Ann Fitzgerald will take us back into time
spotlighting the neighborhood of the Valley of the Ten Springs for the May Brown Bag Lunch Program. Currently home to the Spring Run Trail which runs along the old railroad bed, Mary Ann will bring us back to the days when the railroad travelled to the famous mud baths and mineral springs in the valley and then continued to Saratoga Lake. Industry and tourism once surrounded the residents of this neighborhood, but today one can enjoy the tranquil two mile trail surrounded by the sounds and smell of nature.

The program will be held May 12th from 12 Noon to 1 PM in the Dutcher Community Room at the Saratoga Springs Public Library. The Brown Bag Lunch is cosponsored by the library and the Saratoga Springs Heritage Area Visitor Center.

For further information call 587-3241.

kentucky derby upon us, Saturday,May 7,2011.

2011 Kentucky Derby Post Positions
This first race in the coveted Triple Crown of horse racing attracts plenty of attention. Since 2005, when the purse went from one million to two million dollars, the "Run For The Roses" offers the biggest prize of all the Stakes races.

The May 7th running of the Kentucky Derby will be the 137th time that the race has been held. Meanwhile, here are the post positions announced at 5PM ET on Wednesday, May 4, 2011 from Churchill Downs:

2011 Kentucky Derby post positions

Horse Jockey Trainer ML Odds
1 Archarcharch Jon Court. Jinks Fires 10-1
2 Brilliant Speed Joel Rosario Tom Albertrani 30-1
3 Twice the Appeal Calvin Borel Jeff Bonde 20-1
4 Stay Thirsty Ramon Dominguez Todd Pletcher 20-1
5 Decisive Moment Kerwin Clark Juan Arias 30-1
6 Comma to the Top Pat Valenzuela Peter Miller 30-1
7 Pants on Fire Rosie Napravnik Kelly Breen 20-1
8 Dialed In Julian Leparoux Nick Zito 4-1
9 Derby Kitten Javier Castellano Michael J. Maker 30-1
10 Twinspired Mike Smith Mike Maker 30-1
11 Master of Hounds Garrett Gomez Aidan O'Brien 30-1
12 Santiva Shaun Bridgmogan Eddie Kenneally 30-1
13 Mucho Macho Man Rajiv Maragh Kathy Ritvo 12-1
14 Shakleford Jesus Castanon Dale Romans 12-1
15 Midnight Interlude Victor Espinoza Bob Baffert 10-1
16 Animal Kingdom Robby Albarado Graham Motion 30-1
17 Soldat Alan Garcia Kiaran McLaughlin 12-1
18 Uncle Moe John Velazquez Todd Pletcher 9-2
19 Nehro Corey Nakatani Steve Asmussen 6-1
20 Watch Me Go Rafael Bejarano Kathleen O'Connell 50-1

Picking a Derby winner

Will the Victoria Pool open on it's traditional Memorial Day date. Post Star wonders, Saratoga Snippets Blog. 4/25/11.

Sidewalk Swimming in Saratoga Springs
There are 34 days, 12 hours and 34 minutes to go, at this posting, on the countdown clock until the traditional opening of the Victorian Pool, according to an advocacy group monitoring the goings-on at the Saratoga Spa State Park.

On Monday morning, hiding in plain sight, DPW crews were out in force testing the arc and flow rate of city fire hydrants.

On the surface, the two may seem unrelated, but consider that Gov. Andrew Cuomo — who has pledged to cut state costs — grew up in Queens, N.Y., where the swimming options for neighborhood youth were limited to either journeying to the WPA-constructed Astoria Pool, or playing beneath the streaming arcs of cool water unleashed from the neighborhood fire hydrant.

Affectionately nicknamed the Johnny Pump, these three-foot tall water geysers would be uncapped on hot, humid summer days to the joy of neighborhood kids. At minimal cost.

Taking into account the state’s budget woes, the costs to open and operate the amenities at the State Park like the pool AND the mysterious testing of hydrants in Saratoga Springs Monday morning, is there a nefarious effort underway to relocate the Victorian Pool to the city streets this year?

We’ll have to wait and see how this one plays out; Victorian swimmers, you have been warned.

– Thomas Dimopoulos

Geyser Creek being stocked with trout at Saratoga Spa State Park, 4/20/11.

Jansikwe and hundreds of other children brought buckets to receive a trout to release in geyser creek. A wonderful and unique event with live music, tie dyeing shirts, hot dogs and lots more fun for kids and their adult companions.

Philadelphia Orchestra may declare bankruptcy and two Saratoga Broadway buildings going on the auction block.

News
Philadelphia Orchestra board to vote on bankruptcy Saturday; concerned musicians oppose the move
Published: Friday, April 15, 2011

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Cellist Yo-Yo Ma joined Charles Dutoit and the Philadelphia Orchestra at SPAC during the orchestra's 2010 residency in Saratoga Springs. Ed Burke file photo/eburke@saratogian.com

PHILADELPHIA — Members of the Philadelphia Orchestra concerned about a bankruptcy vote distributed leaflets to audience members before a concert to express their opposition to what they say would be a devastating blow to the famed ensemble’s future.

The musicians walked into the audience and handed out the leaflets Thursday night. The Philadelphia Inquirer reports the crowd applauded as they returned to the stage. The musicians waved their instruments in gratitude.

The orchestra’s board is scheduled to vote Saturday whether to pursue Chapter 11 bankruptcy. The board tells WPVI-TV its $31 million in revenue is $15 million less than its costs.

The orchestra’s management is seeking givebacks including a 16 percent pay cut from the musicians as part of their ongoing contract negotiations.

The orchestra's annual summer residency at Saratoga Performing Arts Center is set to start its 2011 season July 27. At a March 31 meeting of SPAC's board, executive director Marcia White said this season would feature conductor emeritus Charles Dutoit as well as Spa City native and actor David Hyde Pierce as a narrator.

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Two Broadway buildings headed for auction block
April 15, 2011 at 5:33 pm by Dennis Yusko
SARATOGA SPRINGS - Two buildings on Broadway measuring more than 42,000-square-feet will be auctioned off next month, setting the stage for more big changes to the heart of this tourist city’s downtown business district.

Days after a 22,500-square-foot Borders bookstore shut its doors at 395 Broadway, news broke that the popular Saratoga Shoe Depot at 385 Broadway and a three-story building at 322-328 Broadway and the corner of Spring Street will be sold at auction on May 4.

Owned by Frank Panza, the shoe store is 22,252-square-feet, and is located just a few doors from Borders. The multi-story building is 20,678-square-feet. It’s ground-floor retail stores are partially vacant, and it contains residential units and a theater in the upper floor.

“They are kind of important properties,” said Chuck Anderson, owner of Anderson Auction & Realty, which is promoting the properties.

Panza could not be reached for comment, but Anderson called the May sales standard real estate foreclosure auctions due to non-payment of mortgages. Citing a city official who could not be reached late Friday, the Business Review reported that Panza owes $227,850 in taxes on 385 Broadway, and $96,102 on 322-328 Broadway.
The auction will take place at 11 a.m. May 4 at the Saratoga County Courthouse in Ballston Spa. Buyers will need a 10 percent deposit.

The Saratoga Shoe Depot, which filed for Chapter 11 bankruptcy protection last year, could close within 30 days after the auction, Anderson said.

The spector of two more giant storefronts on Broadway going vacant will further alarm city officials, who fretted over the closing of Borders. But Anderson thinks that they could change hands soon.

“We’ve already had interest in them from several companies,” he said.

yeh! All good things we want come to Saratoga eventually.

Table Hopping
Eat, drink and be candid
By Steve Barnes | E-mail | About Table Hopping
Quintessence to open in former Bloomers location in MaltaApril 5, 2011 at 4:48 pm by Steve Barnes, senior writer
The partners responsible for reviving Quintessence in Albany have added another restored silver diner to their portfolio. Joseph Zappone, the local lawyer and developer who, with his business partner, Pat Fiore, restored the New Scotland Avenue Quintessence and reopened it in August 2009, tells me the pair have purchased the former Bloomers an American Bistro location, on Route 9 just south of Northway Exit 13; Bloomers closed in late March. Pre-Bloomers, the building was the longtime home of the former Chez Sophie.

Given that minimal work needs to be done on the new location, Zapponse says, the plan is to open within a couple of months, though alcohol may not be available at first, depending on arrival of the liquor license. As at the Albany Quintessence, management of the Malta business will be under the direction of Nick Riggione, whose family owns the local Inferno Pizzerias and who is a partner with the owners, while Riggione’s brother Gennaro will supervises the kitchen. The menu will be the same as in Albany, and the name will remain simply Quintessence.

Zappone and Fiore last fall bought the former Kirker’s location in Latham with the intention of putting a Quintessence there as well. The availability of the Malta diner has put that project temporarily on hold, Zappone says, as the pair concentrate on opening in Saratoga County. They still plan to develop the Latham property, but not immediately, he tells me.

Posted in News, Recommendations, Restaurants/chefs | 9 Comments
9 Comments »
1.Hip hip hooray.

Comment by dominic colose — April 5th, 2011 @ 6:56 pm

2.I’m excited.

Comment by Mr. Sunshine — April 5th, 2011 @ 7:05 pm

3.WINNING! That’s about 60 seconds from our house!

Comment by Mark H. Delfs — April 5th, 2011 @ 8:50 pm

4.They must have bought it completely as-is, you can still see the bottles behind the bar if you drive by. Glad something is moving in there right away.

Comment by Smythe — April 5th, 2011 @ 8:50 pm

5.Were do I apply?!!

Comment by salvino — April 5th, 2011 @ 9:42 pm

6.Yeah! Bring on the spinach noodles! Can’t wait.

Comment by lakesider — April 6th, 2011 @ 5:35 am

7.Great location

Comment by pw — April 6th, 2011 @ 7:08 am

8.can’t wait!

Comment by mattydread — April 6th, 2011 @ 8:17 am

9.I love the albany location, it brings me back in time, but can only get there maybe once a month leaving in nearby saratoga we will be there more often, GREAT NEWS, CAN’T WAIT

Comment by john — April 6th, 2011 @ 9:54 am

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Siro's to take Manhattan.

Iconic Saratoga Restaurant is Off To the Races in Turtle Bay April 1, 2011 1:24pm1commentshareprint
Siro's of Saratoga, a trackside landmark restaurant, is opening a new restaurant in Turtle Bay, backed by celebs.
•Story•Comments Siro's of Saratoga is bring its upscale horse race ambiance to Turtle Bay. (www.sirosny.com/)By Amy Zimmer

DNAinfo News Editor

MANHATTAN — A little bit of Saratoga Springs, the bucolic upstate town where New Yorkers like to escape to the horse races, is coming to Turtle Bay.

The famed Siro's of Saratoga is opening a fine dining restaurant and more casual "Club House" at 885 Second Ave., between 47th and 48th streets, and has some heavy hitters behind it.

Yankees relief ace Mariano Rivera is a partner in the Club House and "Entourage" star Kevin Connelly is part of the team behind the upscale half of the eatery, said Keith Kantrowitz, a mortgage banker who is part of the group of investors behind the project.

The popular trackside restaurant has been a staple on the Saratoga social circuit since it opened in 1930.

The Saratoga institution, once described as "a stamping ground for equestrian-minded magnates, grandes dames, dandies and the occasional miscreant," is only open during the six-week racing season.

"In an often repeated line once uttered by a waiter, Siro's is where 'Goodfellas' meets 'Gone With the Wind,'" the New York Times wrote in 2003.


Siro's will not only bring its cassoulet, lamb shanks and raw oysters, it will also bring some horse culture.

Kantrowitz said it will be decorated with pictures of famous horses and other horse-related artwork.

"During the racing season many of our customers are from New York City and many of them are loyal," Kantrowitz said of the impetus for the downstate outpost.

Kantrowitz's group — which included New York Post publisher Paul Carlucci and Steven Schoenfeld, managing partner of a New York-based financial services firm — took over Siro's in 2009.

Kantrowitz expects the New York City restaurant and club house to open in 2 months.


Read more: http://www.dnainfo.com/20110401/murray-hill-gramercy/iconic-saratoga-restaurant-is-off-races-turtle-bay#ixzz1IMwFOWaw

We are so ready for Springtime and the snow to go away.

Victoria Pool is beginning to emerge from its winter cover. Yes, Spring will appear again this year.

Filly Victoria Pool wins at Aqueduct Racetrack on 3/17/11.

SECOND RACE: Victoria Pool, 8-1 dropping in for 50G maiden claiming tag after losing her debut vs. NY-bred special weights by 14 lengths at 50-1, gunned to the front under Eurico Da Silva, chased by 30-1 first-time starter Maspeth Princess, Jose Espinoza up, with Dita, third vs. special weights last out, tracking the pace under a snug hold by Channing Hill. Dita made her move turning for home but hung, while Maspeth Princess turned in a strong bid but was repulsed by Victoria Pool in a long stretch duel. Bazinga, even-money favorite in her debut for Linda Rice, never got involved.




This filly is named after our favorite pool.

Waiting for spring at the Warming Hut.

More cuts for NYS Parks

Officials: Less money, but no ax for state parks (with video)
Published: Wednesday, March 09, 2011

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By PAUL POST
The Saratogian

SARATOGA SPRINGS — State parks will have even less money for much-needed repairs this year, but at least there’s no danger of sites closing, officials said Wednesday.

Gov. Andrew Cuomo’s proposed budget calls for a 10 percent — $17.7 million — reduction in parks spending, coming on the heels of a similar-sized cut last year.



Only $25 million is allocated statewide for capital projects, for a system that has more than $1 billion worth of needed repairs and infrastructure improvements pending.

“We’ve got to do more with less,” said Heather Mabee, Saratoga-Capital District Regional Parks Commission chair. “As long as there’s no further reductions we think statewide we can keep all of our parks and historic sites open. As far as we understand from the governor, there should not be any more staffing reductions.”

The commission met Wednesday at Saratoga Spa State Park with regional state parks leaders. The Saratoga-Capital region has 10 parks and 10 historic sites.

Last year, some parks — such as John Boyd Thacher Park in the Heldebergs — were temporarily closed because of the state’s dire fiscal condition, forcing the cancelation of many events and private functions such as weddings. Despite this, attendance at Saratoga-Capital parks and historic sites rose 16 percent, the most of any region in the state.

Officials attributed this to good weather compared to the rainy summer of 2009, an economy that kept people close to home and strong support from “friends” groups at several state parks.

Assistant Regional Commissioner Robert Kuhn said there are no major state-funded capital projects slated for Saratoga Spa State Park this year. However, fundraising has made new walks, steps and interpretive signage possible at the park’s Geyser Springs area. A ribbon-cutting is slated for Tuesday, May 24.

Elsewhere, plans call for replacing old bathhouses and showers at Thompson’s Lake in East Berne and increasing the number of campsites from 20 to 30 at Cherry Plain State Park. Continued...

longing for a nice warm morning and breakfast at the magnificent Saratoga Track.

oh how we love edward gorey, his spooky sensibility and adoration of New York City Ballet was very Saratoga.

NEWS bulletin from the spirit world: The specter of Edward Gorey, who died in 2000 at the age of 75, is haunting our collective unconscious.

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In a sense that’s as it should be; Gorey was born to be posthumous. His poisonously funny little picture books — deadpan accounts of murder, disaster and discreet depravity, narrated in a voice that affects the world-weary tone of British novelists like Ronald Firbank and Ivy Compton-Burnett — established him as the master of high-camp macabre.

Told in verse and illustrated in a style that crosses Surrealism with the Victorian true-crime gazette, Gorey stories are set in some unmistakably British place, in a time that is vaguely Victorian, Edwardian and Jazz Age all at once. Though Gorey was a 20th-century American, he conjured a world of gramophones and cars that start with cranks, of boater-hatted men in Eton collars knocking croquet balls across the lawn while sloe-eyed vamps in cloches look on, and sinister things sink, bubbling, into the reflecting pond. His titles are instructive: “The Fatal Lozenge,” “The Deadly Blotter,” “The Hapless Child,” “The Haunted Tea-Cosy.”

A wide audience has long known Gorey’s work from the 31-year-old animations used to introduce the PBS series “Mystery!” (now “Masterpiece Mystery”). The playfully perverse vignettes include a skulking villain in a cape and a swooning ingénue.

Before “Mystery!” Gorey’s set for the 1977 Broadway production of “Dracula” — large-scale versions of his black-and-white drawings, each melodramatically highlighted with a single, blood-red detail — spread his fame far beyond theatergoers.

But until the last few years true Gorey devotees were a secret society, wearing Gorey-philia like a Masonic ring. Now, however, their numbers have swelled. The writer Daniel Handler, better known as Lemony Snicket, said, “When I was first writing ‘A Series of Unfortunate Events,’ I was wandering around everywhere saying, ‘I am a complete rip-off of Edward Gorey,’ and everyone said, ‘Who’s that?’ Now, everyone says, ‘That’s right, you are a complete rip-off of Edward Gorey.’ ”

Tim Burton owes an obvious debt to Gorey, as do Rob Reger, creator of the goth gamine Emily the Strange, and Neil Gaiman, the author of the novella “Coraline.” Mr. Gaiman has an original Gorey drawing of “children gathered around a sickbed” hanging on his bedroom wall; he wanted Gorey to illustrate “Coraline,” he said, but he “died the day I finished it.”

Gorey illustrations are even becoming voguish as tattoos. Last year the ninth-season “American Idol” finalist Siobhan Magnus had a biceps tattoo of Death playing nanny to a flock of soon-to-be-doomed children, from “The Gashlycrumb Tinies,” Gorey’s grimly funny alphabet book.

The market for Gorey books and merchandise buoys indie publishers like Pomegranate, which brings some of Gorey’s books back into print each year, and Fantagraphics, which is releasing a third edition of “The Strange Case of Edward Gorey,” a portrait by the novelist and longtime Gorey friend Alexander Theroux. Attendance has been climbing steadily at the Edward Gorey House in Yarmouth Port, Mass., and curators of the first major traveling exhibition of Gorey’s original art, “Elegant Enigmas” — originally shown at the Brandywine River Museum in Chadds Ford, Pa., and now on view at the Boston Athenaeum — have been stunned by the enthusiasm surrounding the show.

“I knew Gorey had a wide following, but I had no idea of the mania,” said David Dearinger, an Athenaeum curator, before the exhibition opened there in February. News media inquiries and calls from the public had been coming in for months, he said then, “and the show isn’t even here yet.” Since the opening, he said last month, “the response has been phenomenal.”

Opinions differ about why Gorey — whose name increasingly serves as shorthand for a postmodern twist on the gothic that crosses irony, high camp and black comedy — is casting a longer shadow these days. Mr. Handler attributes Gorey’s growing popularity partly to the sophisticated understatement of his hand-cranked world, a sensibility that stands out sharply against the exuberant vulgarity of our age of jeggings, “Bridalplasty” and “Jackass 3D.” “That worldview — that a well-timed scathing remark might shame an uncouth person into acting better — seems worthy to me,” Mr. Handler said.

Undoubtedly such romanticized visions of a more decorous, dapper past, which also inform the neo-Victorian and neo-Edwardian street styles of goths and steampunks, have as much to do with escapism as historical fact. But accurately or not, such subcultures see in Gorey’s work an invitation “to return to a time of gentility,” to quote the promoters of the annual Edwardian Ball, a celebration of Gorey.

In contrast, some fashion designers see Gorey’s anachronistic use of historical references as perfect for our age of mash-ups and remixes. The neo-Victorian couturier Kambriel, whose shows have featured Gorey-inspired sets and models reciting Gorey limericks, said that in her designs, as in Gorey’s tales, “the propriety of the past” is infused with the “playful mischief and irreverence” of the present.

Even a more established designer like Anna Sui has drawn inspiration from him. “My big attraction to Edward Gorey is that he picked up on all those cultures and was inspired by them but kind of spun them in his own brain and made his own world,” she said. Similarly, Martyn Jacques, the singer for the British “dark cabaret” act the Tiger Lillies — whose Grammy-nominated collaboration with the Kronos Quartet, “The Gorey End” (2003), set unpublished Gorey tales to the band’s seasick accordion and castrato vocals — celebrates Gorey’s refusal to bow to a boomer-dominated culture.

“When I was growing up you’d hear all these musicians, and they were all inspired by the Rolling Stones or Jimi Hendrix,” said Mr. Jacques, 51. “I thought to myself: ‘Why only be inspired by the 1960s? Why can’t you be inspired by the 1860s?’ ”

Mr. Dearinger attributes Gorey’s appeal to what he sees as the rise of cynicism in America since the ’60s. “I don’t mean cynicism in a totally negative way,” he said. “It’s the same kind of attitude that would look back and enjoy Jane Austen but enjoy Trollope even more. There wouldn’t be a Gorey, if there hadn’t been this late-20th-century fascination with camp and irony and cynicism.”

Gorey was an early adopter of this sensibility. At Harvard from 1946 to ’50, where he roomed with the poet Frank O’Hara, Gorey borrowed a page from the bourgeois-mocking wit of writers like Firbank and Oscar Wilde to create a deadpan, ironic worldview, one that appears strikingly contemporary in retrospect.

Such historically minded analyses can lose sight of the straightforward delights of Gorey’s art — his astonishing draftsmanship and pitch-perfect composition, informed by a lifelong love of film, theater and ballet. Many of the images “look like theater sets, so there’s that dramatic appeal to it,” Mr. Dearinger said. “They’re very well composed, easy to read, yet there’s enough detail in them that every time you look at them you’ll see something you hadn’t seen before.” Dizzily crosshatched or stippled, Gorey’s exquisitely rendered images reveal an encyclopedic knowledge of period architecture, wallpaper, fashion and interior design. They rejoice in repeated patterns, which contribute to what Mr. Dearinger called their “wonderfully decorative quality.”

Gorey-philes who take in the Boston Athenaeum show may be amazed to learn that Gorey’s original illustrations were no larger than their reproductions in books, typically just a few inches on a side. “You can picture him with his nose right on the paper, practically, and the pen just making tiny, tiny little strokes, each one where it’s supposed to be,” Mr. Dearinger said. “The amazing thing is that the mind that’s creating this already knows what it’s going to look like when you step back from it.”

Intriguingly, explanations for the mounting popularity of Gorey’s art rarely touch on its air of hidden, maybe even unknowable meaning. Whatever Gorey’s work appears to be about, it’s forever insinuating, in its poker-faced way, that it’s really, truly about something else. The philosopher Jacques Derrida might have said it is this very elusiveness — the sense that meaning can never be pinned down by language — that is Gorey’s overarching point.

For his part, Gorey, who rolled his eyes at anyone looking for deep meaning in his work, would doubtless have groaned (theatrically) at any attempt to make intellectual sense of his posthumous popularity.

As he liked to say, “When people are finding meaning in things — beware.”


A version of this article appeared in print on March 6, 2011, on page AR20 of the New York edition.

No Spring yet at Hawthorne Spring #1 on Spring St. or golf at Victoria Pool. We are sick of winter!

Record February 2011 snowfall for Saratoga.

A beatle comes to New York City Ballet,nytimes,2/23/11.

February 23, 2011, 2:17 pm
Paul McCartney Collaborates With City Ballet
By DANIEL J. WAKIN
In an unexpected intersection of celebrity pop music and ballet, that most refined of the performing arts, Paul McCartney has written a major orchestral work for New York City Ballet.

Richard Perry/The New York Times Paul McCartney, above at the Apollo Theater in December, has written an orchestral work for New York City Ballet.
It is a love story titled “Ocean’s Kingdom” and will be performed at the company’s fall gala on Sept. 22 and on other yet-to-be determined dates next season, Mr. McCartney and company officials said. Peter Martins, the company’s ballet master in chief, will create the choreography.

In its current state, the ballet lasts about 45 to 50 minutes, is divided into four acts and will feature a cast of about 40 to 45, including four or five main roles. A composer, John Wilson, is helping with the final orchestration, and the first act is to be played through at the David H. Koch Theater, the company’s home, on Thursday.

The other half of the gala program will consist of George Balanchine’s “Union Jack,” a sprawling work that Mr. Martins said would be a tribute to City Ballet’s latest Liverpudlian contributor.

Mr. McCartney first mentioned that he was working on a ballet score in an interview with the BBC in June, then set off speculative babble among balletomanes and pop music fans this month when he said at an awards ceremony in London that an announcement about the piece was coming soon.

In his first interview about the work, Mr. McCartney on Wednesday called it “basically a romantic story” involving two worlds — the ocean kingdom, representing purity, and the earth kingdom, “the sort of baddies.” The daughter of the ocean king falls in love with the brother of the earth king, and “you’ll have to see whether the couple make it,” Mr. McCartney said. “There’s all sort of troubles along the way.”

Mr. McCartney has long staked a claim in the world of classical music, and branching out into ballet music is just his latest foray into other realms. He has published books of poetry and children’s literature, and mounted shows of his paintings.

Mr. Martins said the idea of a collaboration popped into his head when he ran into Mr. McCartney at a fund-raiser for the School of American Ballet, the company’s training ground, a year ago.

“Of course, being a Beatles fan — because that’s my generation — I was very intrigued,” Mr. Martins said. “I knew of course about his foray into classical music and his interest in it. I said to him, ‘Maybe we could do something together.’ ”

The two men said that over the course of the year they consulted regularly.

“This is Paul’s baby,” Mr. Martins said, adding with tongue in cheek, “The only thing he has left to do is choreograph.” He said Mr. McCartney created the libretto on his own.

“He knows exactly what this is going to look like,” Mr. Martins said. “He even has choreographic suggestions. He did a nice little jump for me. I said, ‘To me, Paul, that needs work.’ ”

Mr. McCartney said he took up the suggestion because “I can’t refuse an offer,” especially one to do something fresh and challenging.

“I’ve come to love working with orchestras,” he said. “It’s a great palette.”

He wrote some “speculative” music and began reading about dance and attending ballet performances.

“For me, the sheer athleticism is the most astounding thing about what I’m seeing,” he said. “It’s like a meeting of the Olympic games and art, and I find that fascinating and challenging for me, to see what can be done.”

Get your suits ready !!!

100 days until Memorial Day, traditional opening day of the Victoria Pool. Let it be!