Sunday, June 02, 2013

victoria pool stellar opening day. hundred of very happy people thrilled to be at this beautiful place on a perfect day.

Everybody into the pool

People cool off, enjoy drinks with friends

Sunday, June 2, 2013
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The Victoria Pool was popular on opening day at Saratoga Spa State Park on Saturday.
Photographer: Patrick Dodson
The Victoria Pool was popular on opening day at Saratoga Spa State Park on Saturday.
— Prime real estate was in high demand on Saturday at the Victoria Pool, which opened weeks early this season because of warm weather.
There was not a spare chair or umbrella around the pool, with the area filled to its maximum capacity of 336 people in the early afternoon. Troy resident Lauren Hittinger and her boyfriend were able to secure one of the best spots around the pool — two lounge chairs with an umbrella — by arriving about 15 minutes before its 10 a.m. opening.
They weren’t the only ones arriving early. Hittinger said a crowd was already assembled outside the arched entry when they arrived. “I don’t know when the first person got here,” she said.
Hittinger, who wore a wide-brimmed floppy hat and a bikini, said the alternative to being at the side of the pool was sweating in her apartment.
The alternative for Burnt Hills resident Mike Clark, 24, was his family pool, but the almost 70-year-old Victoria Pool was calling his name. He said the pool was a great place to meet up with friends and enjoy a drink.
“I’m pretty excited to be here. It’s been a long winter,” Clark said.
The pool is a beloved feature of the Saratoga Spa State Park, offering a more relaxed venue than the Peerless Pool, which is more family oriented. Evidence of the pool’s special place in people’s hearts is the Save the Victoria Pool Society, an advocacy group for the pool.
Louise Goldstein, co-founder of the society and a fixture around the pool during the summer, was on hand for the opening day. She went out of her way to praise Gov. Andrew Cuomo and the state Parks Department for the early opening of the pool.
The pool’s opening received a lot of local news coverage on Friday, when it was announced. That sort of publicity runs slightly counter to the wishes of the pool’s regulars, who like their summer home to be a hidden gem.
David Pallas, a bartender in his third year at the pool, said, “[The Victoria Pool is] not a secret, but people want it to be secret.”
He said there is a sense of nostalgia about the pool and noted that he sees a lot of familiar faces from his spot at the bar, which is a busy setup about 25 feet from one corner of the pool.
Part of the reason the pool remains less well-known is the lack of obvious signs that it exists, tucked behind a columned pavilion. Ed Reutemann of Clifton Park golfed for years at the adjacent course before learning about the pool’s existence about a year ago. Now he plays a round of golf in the morning and enjoys the pool area in the afternoon, which he did on Saturday, perched on a stool at the bar.
“If you don’t know where it is, you can’t find it,” Reutemann said.
Taking in the attendance for opening day, he added, “The crowd is unbelievable for this time in the season.”
The crowd was so big that a line formed outside the entrance as people waited for others to leave.
The pool is open today from 10 a.m. to 6 p.m. and will be open the same time for the next two weekends. Starting June 22, the pool will be open daily from 10 a.m. to 6 p.m.
 

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Friday, May 31, 2013

Splish, Splash, FLASH!!! Victoria Pool to open 10 AM, Saturday, June 1, 2013 announced by Governor Cuomo.

Thank you to all the wonderful workers and administrators at Saratoga Spa State Park, NYS Parks for all your hard work.  The Pool will be open the next 3 weekends and then daily from June 22, 2013.


Wednesday, May 29, 2013

victoria pool fans hoping for opening this weekend. keep everything crossed and do your pool dance.

Victoria Pool could be open this weekend

Tuesday, May 28, 2013
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The Victoria Pool at the Saratoga Spa State Park is shown on opening day in 2012.
Photographer: Patrick Dodson
The Victoria Pool at the Saratoga Spa State Park is shown on opening day in 2012.
— It’s not definite yet, but fans of the Victoria Pool may be able to suit up this weekend and wait in line to snag a coveted poolside chaise lounge.
Saratoga Spa State Park officials are working to get things in place to open the pool this weekend, including performing water tests this week and making sure there is enough staff on duty — pool operators, lifeguards, cleaning staff and cashiers.
Park manager Mike Greenslade said he plans to decide by Thursday whether the pool will be able to open for the weekend, when high temperatures are expected to hit the mid- to upper 80s.
“We are going to try,” he said Tuesday. “We still have a few steps that we are going to do before we will know for sure.”
If the Victoria Pool does open this weekend, it would be the earliest opening in many years, said Louise Goldstein, co-founder of Save the Victoria Pool Society, which each year advocates for a Memorial Day opening.
“June 1 would be really great,” Goldstein said. “There are people who already have their bags packed. Everybody loves that pool.”
The Victoria Pool and the park’s zero-depth-entry Peerless Pool have opened around the fourth weekend in June in recent years, near the time local children get out of school for the summer. In the past two years, the Victoria Pool has opened on Father’s Day weekend, a week earlier, Greenslade said.
But Goldstein said many people expect swimming holes to open earlier — the beach at Moreau Lake State Park does, she pointed out — and are confused by Victoria Pool’s later opening.
“There’s a lot of people who think it opens Memorial Day,” she said.
No matter when the Victoria Pool lets in its first visitors, swimmers and sunbathers will notice one colorful difference this year — the pool bottom, which has been repainted white for several years running, was given a fresh coat of azure blue this spring.
The sky-blue color harkens back to the original hue of the pool, said Goldstein, who has been coming to the pool since 1940, the year she was born.
“It was gorgeous blue tile,” she said. “I wish we could get that back.”
Victoria Pool was constructed in 1934, the first heated pool in the country. It is no longer heated but is still surrounded by arched brick walls and walkways as it originally was.
The pool was a popular spot for movie stars and New York City Ballet dancers over the years, but by 2003, the pool was falling into disrepair, with crumbling masonry and dilapidated locker rooms. Goldstein and some other fans founded the Save the Victoria Pool Society to lobby for state funding to fix it up.
Then-state parks Commissioner Bernadette Castro committed $1.5 million that year to restoring the pool, and the renovation was completed in 2005.
The work included replacing the pool’s original filtration system and enhanced landscaping, plantings, lighting fixtures and walkways.
 

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Saturday, May 18, 2013

$3M in improvements to Saratoga Spa State Park include $1M for SPAC parking lot. not one cent to keep New York City Ballet season.

$3M in fixes on tap for Spa park

Projects set for SPAC lot, bathhouse, pool

Friday, May 17, 2013
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The Roosevelt Bath House in Saratoga Spa State Park will be getting major renovations as a result of funding announced Friday by Gov. Andrew Cuomo.
The Roosevelt Bath House in Saratoga Spa State Park will be getting major renovations as a result of funding announced Friday by Gov. Andrew Cuomo.
— Almost $3 million in infrastructure improvements are planned for Saratoga Spa State Park as part of Gov. Andrew Cuomo’s $90 million investment in the state’s parks.
The funding for Saratoga Spa State Park includes $1 million to rehabilitate the main Route 50 parking lot for the Saratoga Performing Arts Center, $850,000 for the first stage of work on the Roosevelt II Bathhouse and $450,000 for a picnic shelter and comfort stations near the Peerless Pool.
Saratoga Spa State Park Manager Michael Greenslade said of the investment, “It’s exciting to be here at this time.”
The main SPAC parking lot will get new blacktop, new landscaping and a reconfigured entrance, which will reduce hassles entering and exiting the lot during big SPAC shows. “We’re just trying to clean it up so traffic will flow better,” Greenslade said of the entrance changes.
Improvements to the Roosevelt II Bathhouse are designed to prevent future deterioration of the building, which was constructed in 1934 as part of President Franklin Roosevelt’s New Deal. After this phase of work, which includes weatherproofing, a new roof, and new electrical wiring, Greenslade said they hope there will be a second phase of work to make the building usable. He said the building hasn’t been used for about six decades because of a decreased interest in the baths, which only kept the Roosevelt I Bathhouse operational.
An open-air picnic shelter and comfort station near the Peerless Pool area is expected to make the adjacent playground even more attractive. “It should become quite the destination,” Greenslade said.
Also planned for the park is the rehabilitation of the Hall of Springs and work on vacant wings of the Lincoln Baths so they can be opened for office use.
Greenslade said this funding was desperately needed and noted that the park’s infrastructure was crumbling because of a lack of investment by recent administrations. The governor has committed $90 million annually in state park improvements over the next five years.
Robin Dropkin, executive director of Parks and Trails New York, a group that advocates for the state’s parks, said in a news release that the state’s investment is breathing new life into the park system. Because of this funding, she said, “The revitalization of our state park system can continue, boosting tourism, creating jobs and securing New York’s parks and conservation legacy for future generations.”
Cuomo touted the project’s ability to create jobs and potentially increase visits to the state park system, which generates $1.9 billion in annual economic activity, according to a recent study from Parks and Trails New York.
In addition to the state’s capital investment, the park system is undertaking 60 architectural and engineering designs to advance shovel-ready projects in almost 50 parks in the coming years. This is part of Cuomo’s attempt to catch up on the backlog of projects across the park system.
“Following decades of deferred maintenance and under-investment, New York’s state parks are on an exciting upswing” said Erik Kulleseid, program director of the Open Space Institute’s Alliance for New York State Parks.
More information about the state park system can be found at www.nysparks.com or by calling 474-0456.
 

Thursday, May 09, 2013

Is it time for Governor Cuomo to throw SPAC out of Saratoga Spa State Park and keep the New York City Ballet?

News

Fiscal uncertainties leave length of NYCB residency at SPAC in limbo



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SARATOGA SPRINGS — New York City Ballet is expected back next year, but fiscal uncertainties make the length of its Saratoga Performing Arts Center residency unclear.

The ballet, a SPAC mainstay, will be here just one week this summer, its shortest season ever.

About 125 people turned out for SPAC’s annual membership meeting at Saratoga Spa State Park’s Hall of Springs Wednesday.

“The company has not yet concluded negotiations with its labor unions,” SPAC Chairwoman Susan Phillips Read said. “So they can’t predict their costs for 2014. As a result, it’s difficult for them to make a commitment.”

The ballet had a three-week SPAC season for decades until financial woes forced a reduction to two weeks several years ago, and just one week this summer (July 9-13). It costs SPAC more than

$1 million annually to host the ballet, and a similar amount for the Philadelphia Orchestra.

Read said SPAC and ballet officials probably won’t firm up plans for 2014 until early this July.

In the meantime, SPAC finds itself in the difficult position of lining up other dance companies, while waiting for a commitment from the city ballet.

“We have to worry that other companies will be committed elsewhere and not be available to us,” Read said.

To fill this year’s city ballet void, three other dance companies new to SPAC have been scheduled — National Ballet of Canada (July 16-18), Aspen Santa Fe Ballet (July 24-25) and Momix Botanica (Aug. 1). Continued...

In other action, members approved the election of three new SPAC board members to three-year terms. They are:

• Elizabeth Alexander — Co-owner of Hattie’s Restaurant and founder of Hattie’s annual Mardi Gras Gala that raised $75,000 for city ballet’s 2013 residency.

• Susan Dake — Wife of former SPAC Chairman Bill Dake and Stewart’s Foundation president. The Dakes are two of SPAC’s main benefactors.

• Gerry Golub — president of SPAC Action Council, SPAC’s largest volunteer fundraising arm. The Golub family owns the Price Chopper supermarket chain.

Two board members, Matt Bender and Dee Sarno, have stepped down.

Several other directors were re-elected to new terms. They are E. Stewart Jones Jr., Ed Mitzen, Nancy Touhey, Donald J. McCormack and Linda G. Toohey for three years, and Meyer Frucher for one year.

Also, SPAC President and Executive Director Marcia White announced that three new members will be added to SPAC’s Walk of Fame, which honors people instrumental to the center’s history, growth and development. They are:

• Peter Martins — New York City Ballet master in chief, who has directed the ballet for 30 years.

• Dave Brubeck — The late jazz icon, who passed away in 2012, performed at SPAC’s annual jazz festival a record 13 times.

• Jane Wait and the late Newman E. “Pete” Wait who helped lead the effort to found SPAC by spearheading a local feasibility committee and raising seed money to get the arts center off the ground. Continued...

The 2013 season begins with the May 24 Battle of the Bands at the Spa Little Theatre and runs through the Saratoga Wine & Food Fall Ferrari Festival from Sept. 6-8.

Legendary singer Tony Bennett is one of the headliners for the Freihofer’s Saratoga Jazz Festival on June 29-30.

One of the season’s signature events is the 150th Anniversary of Saratoga racing concert on Aug. 8, performed by the Philadelphia Orchestra with guest conductor Keith Lockhart.

A communitywide 150th anniversary of racing kickoff celebration, including fireworks, is slated for the SPAC grounds Friday, May 24.

“We had a record season last year,” White said. “We’ll break that record this year.”

For more information and a complete schedule of events, go to www.spac.org.
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Tuesday, April 23, 2013

Anxiously awaiting nycBallet schedule at SPAC for 2014. new york city ballet leader, peter martins, celebrates 30 yrs. at the top and many decades at SPAC.

City Ballet’s Leader, 30 Years In

Jakob Dall for The New York Times
Peter Martins, in Copenhagen, where he rehearsed Balanchine’s “Four Temperaments” with New York City Ballet.
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COPENHAGEN — On April 30, 1983, the co-founder and celebrated choreographer of New York City Ballet, George Balanchine, died. Balanchine was his form’s Picasso, the greatest choreographer of the 20th century, who changed the techniques and perceptions of his art. A successor seemed impossible, but a successor there had to be. It was Peter Martins, the tall, blond Danish dancer who had joined City Ballet 13 years earlier.
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Jakob Dall for The New York Times
Mr. Martins rehearsing Balanchine’s “Four Temperaments” with New York City Ballet in Copenhagen.
Paul Kolnik
Mr. Martins in the role that was his City Ballet debut, Apollo.
When the company opens its spring season on April 30, the occasion will mark both Balanchine’s death and 30 years of Mr. Martins’s stewardship of City Ballet and its allied School of American Ballet. This makes him not just the longest-serving ballet director in the United States, but one of the longest-serving directors of any major arts organization in the country.
After three decades, Mr. Martins has much to boast about. The company is financially far more secure, with a $164 million endowment, than it was in Balanchine’s day. The Balanchine and Jerome Robbins repertory has been maintained, with a dizzyingly large number of them performed every season. Musical standards are high, and the current crop of principal dancers includes some of the most remarkable performers in dance. The company commissions more ballets each year than any other major troupe in the world.
Nonetheless, Mr. Martins’s tenure has been stormy. After a honeymoon period following Balanchine’s death, a cold front set in. Mr. Martins was — and still is — ruthlessly criticized for failing to maintain Balanchinian style (a “catastrophically swift decline,” Arlene Croce wrote in The New Yorker in 1993); for not bringing in former dancers to coach; and for programming too many dull ballets of his own.
Mr. Martins, 66, has said little in response to the criticism. But during a long conversation in Copenhagen, where City Ballet was recently on tour, he spent three hours talking with Roslyn Sulcas about his early years, Balanchine, company style and his own work. Here are excerpts from the conversation.
Q. Growing up, did you ever think, “One day I’ll direct a ballet company”?
A. Yes. When I was about 16, I remember thinking that the leadership of the Royal Danish Ballet was so poor, so many bad decisions were made, there didn’t seem to be any respect for authority. I thought, “This place is a mess; they need a real director.” But at the same time I always knew I would leave. I don’t know why I fell in love with America, but what cemented it was “West Side Story.” I saw it, and I went, “That’s where I’m going.”
You were a principal dancer at the Royal Danish Ballet until you were 21. What prompted you to make the break?
George Balanchine. I was asked, at the last minute, to fill in for Jacques d’Amboise when City Ballet was dancing at the Edinburgh Festival in 1967. I met Balanchine on the street in Edinburgh, walking with Suzanne [Farrell, the ballerina]. I felt an instant affinity with him. I was smitten. More than the dancers or the repertory, it was him.
When you joined City Ballet full time in 1970, you and Ms. Farrell almost immediately became a celebrated partnership. What was your relationship like?
We were not friends. She was polite, courteous, but distant. Onstage it was different; we became a team. But it was Mr. B that I was interested in, not my partners. I would watch him choreograph, watch him teach, rehearse, deal with people. I observed him all the time. I was totally enamored.
When did you realize he was thinking of you as a possible successor?
I was sharing a house in Saratoga during our summer season there with Misha Baryshnikov, who had joined the company that year [1978]. It was about five years before Mr. B died. One morning the phone rang at 7 a.m., and I heard his voice. “Hello, dear, what are you doing now?” At 7:30 I was having breakfast with Mr. B at Sperry’s. He said to me, “Would you like to run this place one day?”
Then he said: “You know what it entails? You have to teach, you have to teach school, you have to create faculty and make sure they teach everything right. You have to show everybody what to do, hire dancers and fire them, organize administration and make sure they are the right people. Then you have to choreograph, invite choreographers and know who to invite. You have to understand marketing. You have to run the costume shop and understand lighting, staging, the technicians, the stagehands. You must be able to do everyone’s job, so that you know if it’s right or wrong.”
He looked at me and said, “You still want?” I said, “Yes.” “Good,” he said, gesturing for the waiter. “Check, please.”
Did you have a personal relationship?
We spent a lot of time together, and we talked a lot: about politics, communism, capitalism. He would say after class sometimes, “What are you doing?” Once I said, “I have to go and rehearse ‘Diamonds.’ ” He said, “Don’t you know it yet?” And we would go and eat tuna sandwiches and have aquavit. Were we friends? I don’t know if I can answer that.
After a few years, you began to be criticized for not maintaining the Balanchine style. Those criticisms continue today.
I think it is sheer [expletive]! Where does style start? With the music. No other ballet company that I have encountered, and I really mean that, can, on a consistent level, dance Balanchine at the intended tempi. There are no dancers in the world who dance Balanchine like the New York City Ballet does. Often when I read style used in this way, it’s the wrong term anyway. The critic is talking about feeling, soul. But the one thing that Balanchine hated was indulgence and emotion in dancing. He taught us that we dance with our bodies, at the right speed; that’s all.
Is the Balanchine heritage a burden?
No, it’s a privilege. I am the messenger, the link.
Was new work a goal from the outset?
Aside from the obvious, to preserve and maintain the great legacy of Balanchine and subsequently Robbins, I knew innately that perhaps my biggest challenge as a director was to identify and create a repertory for the time in which we lived. I’m very proud of the [New York] Choreographic Institute, which we created in 2000. [Alexei] Ratmansky did something there before he was Ratmansky, [Christopher] Wheeldon before he was Wheeldon. But also [Benjamin] Millepied, Liam Scarlett, Justin Peck.
Your own choreography has often been harshly criticized. Do you mind?
You have to truly trust your own intentions and instincts and not be derailed by others. My work is never the most important element of a season.
Do you think about retirement or a successor?
I have an internal clock in this sense. I have unfinished business still. My plate is pretty full, and I have a lot of energy. But on the other hand, it will become apparent if it is time for me to go. I watch everything and everyone; I don’t miss a trick. I know who is interested, and I know why. The only thing I will say about my successor is that I wish them luck. It’s not glamorous. It is one huge tough commitment. Mr. B always used to say, “Things will emerge; you don’t have to search for them.”
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